{"id":112677,"date":"2025-02-13T17:52:55","date_gmt":"2025-02-13T17:52:55","guid":{"rendered":"https:\/\/www.flad.pt\/thelma-2\/"},"modified":"2026-01-14T11:07:26","modified_gmt":"2026-01-14T11:07:26","slug":"love-after-love","status":"publish","type":"page","link":"https:\/\/www.flad.pt\/en\/outsiders26\/love-after-love\/","title":{"rendered":"Love After Love"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”6″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_empty_space empty_h=”3″ mobile_visibility=”yes”][vc_custom_heading text_color=”color-775141″ heading_semantic=”h1″ text_font=”font-596618″ text_size=”h1″ text_transform=”uppercase” text_space=”fontspace-111509″ uncode_shortcode_id=”213851″ text_color_type=”uncode-palette”]Love After Love [\/vc_custom_heading][vc_column_text uncode_shortcode_id=”159347″]Fiction, 2017, 91′
\n<\/span>31\/01 Sat | 7:00pm | Room 3<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_single_image media=”112697″ media_width_percent=”100″ media_ratio=”sixteen-nine” uncode_shortcode_id=”701260″][vc_empty_space empty_h=”2″][vc_column_text text_lead=”small” uncode_shortcode_id=”956610″]<\/p>\n

Directed by<\/strong> Russell Harbaugh<\/span>
\nWritten by<\/strong> Russell Harbaugh, Eric Mendelsohn<\/span>
\nCinematography by<\/strong> Chris Teague<\/span>
\nCast <\/strong>Andie MacDowell, Chris O’Dowd, James Adomian, Dree Hemingway<\/span><\/p>\n

[\/vc_column_text][vc_column_text text_lead=”small” uncode_shortcode_id=”357369″]<\/p>\n

Tribeca, Maryland, Edinburgh, Palm Springs (Official Selection) (2017) <\/span><\/p>\n

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Russell Harbaugh skillfully, sensitively and masterfully directs this autobiographical family drama about the process of a family mourning the death of their patriarch. The widow, Suzanne (Andie MacDowell), and the adult children, Nicholas (Chris O\u2019Dowd) and Chris (James Adomian), each mourn in their own way, and each family member reacts differently. Nothing in this film seems fake, which is naturally due to a dexterous screenplay, making no concessions to convenience (co-written by Harbaugh and Eric Mendelsohn), and to a cast in a state of grace, headed by MacDowell in one of the highlights of her career. <\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text_color=”color-142668″ heading_semantic=”h6″ text_font=”font-596618″ text_size=”fontsize-197237″ text_transform=”uppercase” text_space=”fontspace-111509″ uncode_shortcode_id=”570565″ text_color_type=”uncode-palette”]\u2190 Back<\/span><\/a><\/span>[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes”][vc_column width=”1\/1″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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