{"id":107346,"date":"2021-11-15T18:23:47","date_gmt":"2021-11-15T18:23:47","guid":{"rendered":"https:\/\/www.flad.pt\/outsiders-american-independent-cinema-lisbon-2023\/depraved\/"},"modified":"2024-04-15T21:04:52","modified_gmt":"2024-04-15T20:04:52","slug":"the-surrogate","status":"publish","type":"page","link":"https:\/\/www.flad.pt\/en\/outsiders-2024\/the-surrogate\/","title":{"rendered":"The Surrogate"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”6″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_empty_space empty_h=”3″ mobile_visibility=”yes”][vc_custom_heading text_color=”color-775141″ heading_semantic=”h1″ text_font=”font-596618″ text_size=”h1″ text_transform=”uppercase” text_space=”fontspace-111509″ uncode_shortcode_id=”105354″ text_color_type=”uncode-palette”]The Surrogate[\/vc_custom_heading][vc_column_text uncode_shortcode_id=”151948″]Fiction, 2020, 93′<\/span>
\n04\/05 Sat | 9:15pm | Sala Manoel de Oliveira<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_single_image media=”107210″ media_width_percent=”100″ media_ratio=”sixteen-nine” uncode_shortcode_id=”147609″][vc_empty_space empty_h=”2″][vc_column_text text_lead=”small” uncode_shortcode_id=”151379″]Written and directed by<\/strong> Jeremy Hersh<\/span><\/p>\n

Cinematography by<\/strong> Mia Cioffi Henry<\/span>
\nCast<\/strong> Jasmine Batchelor, Chris Perfetti, Sullivan Jones<\/span>[\/vc_column_text][vc_column_text text_lead=”small” uncode_shortcode_id=”582010″]<\/p>\n

SXSW (Official Selection) (2020)<\/span><\/p>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][vc_button button_color=”color-775141″ custom_typo=”yes” font_family=”font-596618″ font_weight=”100″ text_transform=”uppercase” letter_spacing=”fontspace-781688″ border_width=”0″ link=”url:https%3A%2F%2Fcinemasaojorge.byblueticket.pt%2FEvento%3FIdEvento%3D11333|target:_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”208907″]Tickets[\/vc_button][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-334370″ icon_position=”left” type=”dotted” css_animation=”left-t-right” animation_speed=”200″ el_width=”100%” el_height=”2px”][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”107212″ media_width_percent=”100″ media_ratio=”four-three” uncode_shortcode_id=”769209″][vc_empty_space empty_h=”2″][vc_row_inner limit_content=””][vc_column_inner column_width_percent=”80″ position_horizontal=”right” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_separator sep_color=”color-334370″ icon_position=”left” type=”dotted” css_animation=”left-t-right” animation_speed=”200″ el_width=”100%” el_height=”2px”][vc_column_text uncode_shortcode_id=”107025″]<\/p>\n

Jess Harris, a Brooklyn-based web designer, doesn’t hide her delight with the project of being an egg donor for her best friend Josh and his husband, Aaron. A prenatal test performed at twelve weeks of pregnancy presents unexpected results that pose a moral dilemma, ultimately putting the relationship between the three friends to the test. Jeremy Hersh skillfully avoids some of the pitfalls into which the film could fall, turning it into one of the most successful recent works about the fragility of the human condition.<\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text_color=”color-142668″ heading_semantic=”h6″ text_font=”font-596618″ text_size=”fontsize-197237″ text_transform=”uppercase” text_space=”fontspace-111509″ uncode_shortcode_id=”122294″ text_color_type=”uncode-palette”]\u2190 Back<\/span><\/a><\/span>[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes”][vc_column width=”1\/1″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”6″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_empty_space empty_h=”3″ mobile_visibility=”yes”][vc_custom_heading text_color=”color-775141″ heading_semantic=”h1″ text_font=”font-596618″ text_size=”h1″ text_transform=”uppercase” text_space=”fontspace-111509″ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":107494,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-107346","page","type-page","status-publish","hentry"],"yoast_head":"\nThe Surrogate - FLAD<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.flad.pt\/en\/outsiders-2024\/the-surrogate\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Surrogate - 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