{"id":107313,"date":"2021-11-15T18:23:47","date_gmt":"2021-11-15T18:23:47","guid":{"rendered":"https:\/\/www.flad.pt\/outsiders-american-independent-cinema-lisbon-2023\/depraved\/"},"modified":"2024-04-15T20:53:46","modified_gmt":"2024-04-15T19:53:46","slug":"the-cathedral","status":"publish","type":"page","link":"https:\/\/www.flad.pt\/en\/outsiders-2024\/the-cathedral\/","title":{"rendered":"The Cathedral"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”6″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_empty_space empty_h=”3″ mobile_visibility=”yes”][vc_custom_heading text_color=”color-775141″ heading_semantic=”h1″ text_font=”font-596618″ text_size=”h1″ text_transform=”uppercase” text_space=”fontspace-111509″ uncode_shortcode_id=”189248″ text_color_type=”uncode-palette”]The Cathedral[\/vc_custom_heading][vc_column_text uncode_shortcode_id=”943581″]Fiction, 2021, 87′<\/span>
\n02\/05 Thu | 7:00pm | Sala 3<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][vc_single_image media=”107204″ media_width_percent=”100″ media_ratio=”sixteen-nine” uncode_shortcode_id=”171670″][vc_empty_space empty_h=”2″][vc_column_text text_lead=”small” uncode_shortcode_id=”191219″]<\/p>\n

Written and directed by <\/strong> Ricky D’Ambrose<\/span>
\nCinematography by <\/strong> Barton Cortright<\/span>
\nCast<\/strong> Monica Barbaro, Brian d’Arcy James, Geraldine Singer<\/span>[\/vc_column_text][vc_column_text text_lead=”small” uncode_shortcode_id=”149928″]<\/p>\n

Sundance (Official Selection) (2022); John Cassavetes Award (Independent Spirit Awards) (2023)<\/span><\/p>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][vc_button button_color=”color-775141″ custom_typo=”yes” font_family=”font-596618″ font_weight=”100″ text_transform=”uppercase” letter_spacing=”fontspace-781688″ border_width=”0″ link=”url:https%3A%2F%2Fcinemasaojorge.byblueticket.pt%2FEvento%3FIdEvento%3D11327|target:_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”967449″]Tickets[\/vc_button][vc_empty_space empty_h=”2″][vc_separator sep_color=”color-334370″ icon_position=”left” type=”dotted” css_animation=”left-t-right” animation_speed=”200″ el_width=”100%” el_height=”2px”][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”107202″ media_width_percent=”100″ media_ratio=”four-three” uncode_shortcode_id=”138180″][vc_empty_space empty_h=”2″][vc_row_inner limit_content=””][vc_column_inner column_width_percent=”80″ position_horizontal=”right” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_separator sep_color=”color-334370″ icon_position=”left” type=”dotted” css_animation=”left-t-right” animation_speed=”200″ el_width=”100%” el_height=”2px”][vc_column_text uncode_shortcode_id=”794975″]<\/p>\n

The film follows Jesse Damrosch\u00b4s life , from his birth in 1987 until he goes to college at twenty years old. Some family dramas, such as his uncle’s death from AIDS related complications, his tense relationship with his dad, the open hostility between his mom and his aunt, incapable of reconciling even during his maternal grandmother\u00b4s funeral, are accented by historic events such as the World Trade Center bombing attempt in 1993 or George W Bush’s presidency in the early 2000s. Ricky D’Ambrose deliberately distances himself from the traditional narrative form, in favor of exploring his personal memories without sentimentality, through a collage of laboriously composed portraits. <\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text_color=”color-142668″ heading_semantic=”h6″ text_font=”font-596618″ text_size=”fontsize-197237″ text_transform=”uppercase” text_space=”fontspace-111509″ uncode_shortcode_id=”122294″ text_color_type=”uncode-palette”]\u2190 Back<\/span><\/a><\/span>[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ desktop_visibility=”yes” medium_visibility=”yes” mobile_visibility=”yes”][vc_column width=”1\/1″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”3″ bottom_padding=”6″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_empty_space empty_h=”3″ mobile_visibility=”yes”][vc_custom_heading text_color=”color-775141″ heading_semantic=”h1″ text_font=”font-596618″ text_size=”h1″ text_transform=”uppercase” text_space=”fontspace-111509″ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":107494,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-107313","page","type-page","status-publish","hentry"],"yoast_head":"\nThe Cathedral - FLAD<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.flad.pt\/en\/outsiders-2024\/the-cathedral\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Cathedral - 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